Picasso and French artist Braque collaborated until Braque’s return from the war in 1914. Louis Vauxcelles, a French art critic, coined the term Cubism after defining Georges Braque’s paintings as “bizarreries cubiques.”ĭuring this pre-war, productive period, Braque (along with Picasso) made significant advances to modern art, especially through their investigation of Cubism – through the movement’s Analytic and Synthetic phases. Braque aimed to bolster “the positive and productive components in his creations while forsaking the expressionistic extremes of Fauvism” once he grasped Picasso’s goals. Picasso is directly responsible for the dramatic shift in Braque’s style of painting. “We would meet every day to debate and test the concepts that were beginning to form, and to make comparisons of our various creations,” Braque explained. Following their meeting, the two artists formed a friendship and artistic companionship. Nevertheless, a trip to Pablo Picasso’s workshop in 1907 to see Picasso’s groundbreaking work, Les “Demoiselles d’Avignon”, had a profound effect on him. He held his very first art show at the Salon des Indépendants in 1906, where he showcased his brightly colored Fauvist creations. From 1902 to 1905, after quitting his job as an interior designer to explore painting full-time, he experimented with Fauvist concepts and collaborated with Henri Matisse. He trained with an interior designer in Paris and in 1902 he received his certificate.īraque’s first works were in the Fauvist fashion. At the age of 17, Braque moved from Argenteuil to Paris with friends Raoul Dufy and Othon Friesz in 1899. His father ran a decorative painting company, and Braque’s curiosity about texture and tactile feedback may have stemmed from his time operating as a decorator for him. Georges Braque was encouraged to use imaginative painting methods from a young age.

His still-life paintings are so conceptual that they border on becoming shapes that convey the essential nature of the objects seen rather than specific portrayals. To accomplish higher tiers of dimension in his works of art, Braque etched letters onto them, mixed hues with sand, and replicated wood grain and marble.

This foreshadowed modern art movements involved with media critique, for example, Pop art. Photograph of Georges Braque taken in 1908, published in Gelett Burgess, “The Wild Men of Paris”, Architectural Record, May 1910 Photographer non-identified, anonymous, Public domain, via Wikimedia Commonsīraque took collage to an even higher level by bonding cut-up adverts into his works of art. In his creations, Braque pursued harmony and balance, particularly through papier collés, a cut and pasted paper collage method invented by Braque and Picasso in 1912. Whereas their works of art had many commonalities in the palette, fashion, and source material, Braque asserted that his practice, unlike Picasso’s, was “bereft of iconological critique” and was involved solely with visual space and structure. ButlerĮven though George Braque started as a representative of the Fauvism movement, it would not be until he encountered Pablo Picasso that he actually began to create with a Cubist aesthetic. 4.2 Georges Braque and the Cubist Still Life (2013) by Karen K.3.4 Clarinet and Bottle of Rum on the Mantlepiece (1911).

George braque cubism